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<aside class="desaturate squish">
	<img src="/media/content/read/murakami_miso.jpg" class="size-s">
	<img src="/media/content/read/mann_venedig.jpg" class="size-s">
	<img src="/media/content/read/smith_shore.jpg" class="size-s">
	<img src="/media/content/read/cronin_passage.jpg" class="size-s">
	<img src="/media/content/read/broad_japan.jpg" class="size-s">
	<img src="/media/content/read/bradbury_martian.jpg" class="size-s">
	<img src="/media/content/read/elgin_tongue.jpg" class="size-s">
	<img src="/media/content/read/kawakami_night.jpg" class="size-s">
</aside>
<details>
	<summary>2025</summary>
	<section>
		<h2 id="dec25">december</h2>
		<ul>
			<li>In the Miso Soup, Ryu Murakami</li>
		</ul>
		<h2 id="nov25">november</h2>
		<ul>
			<li>Tod in Venedig, Thomas Mann
				<blockquote>
					at the start the style of writing was preventing me from getting into
					the story fully, as i was reading i got used to it and by the end found
					myself quite enjoying it. apart from the style i find nothing
					particularly special about it. the conclusion is quite unexpected
					though. i found the epilog by terence james reed contextualised the
					writing of the book in thomas manns life really useful.
				</blockquote></li>
		</ul>
		<h2 id="oct25">october</h2>
		<ul>
			<li>The Burning Shore, Wilbur Smith
				<blockquote>
					while it kept me awake until 3am for 3 days i really disliked the
					tonal shift between the second and third acts. how can he portray the
					lifestyle of the san the way he does and then have centaine tear up
					their sacred place of ancestor worship for diamonds. then the in-world
					justification, that it will provide "good water" for her son. to me is
					just blatant sugarcoating of an act that clearly violates the memory
					and principles of the people she has her life to thank for. though she
					had already all but forgotten them, when it was time for the story to
					move on from including o'wa and h'ani.
					<br>
					another gripe with the writing i've had is the way the female lead is
					written. it is so obvious, that the author is a man of the last
					century... centaine in both instances immediately falls for the male,
					that is so clearly set up to be her love-interest.
					<br>
					The book
					<i>is</i>
					from 1985, that might put some of this into perspective.
				</blockquote></li>
		</ul>
		<h2 id="sep25">september</h2>
		<ul>
			<li>The Passage, Justin Cronin
				<blockquote>
					i can't quite remember where i even found this book. specifically the
					part after the timeskip pulled me in and i just needed to know what
					happens next. the book sets up a series and i am quite curious what
					else they are going to do with the characters - i am personally happy
					with what they did and wouldn't
					<i>need</i>
					more.
					<br>
					one small detail from the epilog i like is that apparently he co-wrote
					the concept for the book together with his daughter.
				</blockquote></li>
		</ul>
		<h2 id="aug25">august</h2>
		<ul>
			<li>Abroad in Japan, Chris Broad
				<blockquote>
					after reading the first half, i would already recommend this
					book. even without any context on the author or japan, this has
					some really funny stories. i also like how i can almost hear
					chris' voice in the writing.
				</blockquote></li>
			<li>The Martian Chronicles, Ray Bradbury
				<blockquote>
					this one took a while. started reading pretty much right after
					Native Tongue at the end of march. the book works well for piece
					meal reading, since it's a collection of stories set in a
					shared world. my favorites were the one where 'and the moon be
					still as bright' and 'the million year picnic'.
					overall i think i prefer this over fahrenheit if i had to
					recommend one. this one executes the almost educational tone
					better while telling actually great scifi stories, which often
					left me thinking about them later.
				</blockquote></li>
		</ul>
		<h2 id="mar25">march</h2>
		<ul>
			<li>Native Tongue, Suzette Haden Elgin
				<blockquote>
					read most of this in two long sessions while we were in
					turkey. after a bit of a slow start i liked the spin on
					"dystopian future-not-future society"; the world building
					is reminiscent of handmaid's tale, but i felt like there
					was more exploration of the inner workings of
					<i>why</i>
					society is that way; the feminist context shines through
					especially towards the end, when the plot only works because the
					men are all arrogant assholes, which was satisfying but a
					bit one-dimensional.
				</blockquote></li>
		</ul>
		<h2 id="feb25">february</h2>
		<p class="notice">
			started reading a weekly newspaper which had quite the
			impact on my reading time. i have a test subscription for
			10 weeks, let's see if i can figure out how to balance my
			reading out...
		</p>
		<h2 id="jan25">january</h2>
		<ul>
			<li>Record of a Night too brief, Hiromi Kawakami
				<blockquote>
					the first half consists of surreal dreamlike short stories
					that only refer to their protagonists as 'me' and 'the
					girl'. second half is two longer stories. i enjoyed
					interpreting what everything might mean, but wasn't
					particularly drawn to the book because of the episodic
					nature at the start. read the second half in one afternoon.
				</blockquote></li>
		</ul>
	</section>
</details>